Thursday, August 23, 2012

Session 22: The Ghost Valley’s Treasure Mysteries - اسرار گنج دره جنی

A peasant discovers an underground treasure and begins wasting its resources by not
knowing how to spend and manage his fortune. Some lose their lives for unraveling his
secret while others benefit from serving him as friends and supporters.

Iran 1970   |   Fiction   |   colour  |   35 mm

Time: Thursday, September 20 · 6:30pm - 8:30pm
Location: SITE 5084, University of Ottawa
Language: Persian 
Admission: Free
Running time: 134 min. 

Director, Producer, Screenplay, Photo, Editor: Ebrahim Golestan
Sound: Mahmmod Hangwal
Music: Fahad Mechkat
Cast: Parviz Sayyad, Loretta, Shanaz Tehrani, Mary Apick, Bahman Zarinpour
Production & distribution: Golestan Films

Tuesday, August 21, 2012

Session 21.5: Free Discussion

In this session we are going to continue our discussion about our past topics. To see each other and to hear from those who didn't get a chance to share or extend their ideas.

Time: Thursday, August 30 · 6:30pm - 8:30pm
Location: Cafe Alt, Simard building basement, uOttawa
Language: Persian

Thursday, August 9, 2012

Session 21: Antigone, Arendt, Freedom

"What is freedom?" Asks Hannah Arendt in relation to a series of meditations on vita activia, the life of action. She extracts a theory of action in her rereading of Aristotle's original distinction between action and deliberation, only to find freedom in the performative act of deliberation. Politics as performed in polis is the theatre, the bounded space of appearance, for freedom. Freedom is politics, inasmuch as politics is an act of appearance, a presence, a birth. Against this background we can read the act of Antigone. Antigone acts , freely although she finds it aligned with the divine, but it is neither within the boundary of the city nor in constitution of it. In fact, the tragedy in its bounded relationship to death is indeed the ending act, even as the last of a trilogy. In contrast to Arendt's freedom which is always already imbedded in the condition of natality, "the human condition," the death of Antigone ends all, but the political. It becomes of the constituting texts of political philosophy, of the theatre of politics. The birth in death is the possibility that Arendt never considered. Let us hope to inquire it.

 To be presented by: Setareh Shohadai

 Note: please do read Antigone if you haven't already.

Reading list:
--------------------
1. Antigone, Sophocles
http://www.royaltyfreeplays.com/greek-drama/Antigone.pdf

2. هانا آرنت: آزادی چیست؟
http://zamaaneh.com/library/cat_11/

3. ادعای آنتیگونه، جودیت باتلر
http://www.mindmotor.info/Mind/?p=2343


Time: Thursday, August 16 · 6:30pm - 8:30pm
Location: SITE 5084, University of Ottawa
Language: Persian · Admission: Free

Sunday, July 8, 2012

Session 20: Code Unknown

A Film by Michael Haneke 

My films are intended as polemical statements against the American ‘barrel down’ cinema and its dis-empowerment of the spectator. They are an appeal for a cinema of insistent questions instead of false (because too quick) answers, for clarifying distance in place of violating closeness, for provocation and dialogue instead of consumption and consensus.

– Michael Haneke, “Film as Catharsis”

Duration: 117 Minutes
Language: French with English subtitles
Year: 2000, Color
Admission: Free

Time: Thursday, July 19 · 6:30pm - 8:30pm
Location: SITE 5084, University of Ottawa

Tuesday, June 26, 2012

Session 19.5: Language and Identity (cont'd)


The Tower of Babel by Pieter Bruegel the Elder (1563)

In this session we are going to continue our discussion about Language and Identity with Nazila Khalkhali.

Time: Thursday, July 5 · 6:30pm - 8:30pm
Location: Cafe Alt, Simard building basement, uOttawa